Particular classes should I take?
Most experts agree that Ancient Ballet is the most effective method of training a dancer. Broadway auditions start with a ballet class. The best dancers shown on “So You Think You Can Dance” and other TV shows competent in ballet. Other styles like jazz and tap are based on ballet, so you have to learn your A-B-C’s before you can visit further. Even if you prefer or aspire to other dance methods, good ballet training will help you to be the best. Avoid “combination classes” where students study Tap, Jazz, Ballet, Baton, Clogging, etc . all in one hour per week. Even beginning learners should have a minimum of one hour per week of ballet, and mature students (who study pointe for example) should take two or more classes per week (usually 90 minutes each). Pointe work should only be done after several years of serious education and after the student is at least 11 years old.
Who should really be teaching my child?
Anyone can hang up a shingle and teach dance. There are no governmental regulations as well as licensing. Therefore , it is very important that you investigate the qualifications for teachers. It’s best if dance teachers have been experienced pro dancers. They have usually had the best training and feel and, through teacher training, experience, or talent, will pass that on to the next generation. Some teachers who had college degrees in dance may be good teachers even though not having been successful enough as dancers to have performed properly. Other teachers may have studied at local rehearsal studio toronto however , never studied in a professional situation, and are not entitled to take your child very far. Many studios have lessons taught by teenage students. Make sure you know who will get teaching your child.
What should the facility be like?
Dance dojos should have plenty of space for moving: high ceilings just for jumping, mirrors to see yourself, and specially built sprung wooden floors several inches off the concrete with an relevant surface covering (wood or special vinyl). Studios can’t afford to have concrete floors or wood floors that are sitting directly on concrete. This is too hard a surface and may lead to pain. Low ceilings and small spaces limit what you can do. Studio should be 1, 000 square feet or more and have 60 sq ft of space or more per student in the class.
Why not consider competitions, and conventions?
Most studios participate in competitions in addition to conventions. These can be fun and exciting ways to show off your company skills and have a performing experience. Extra classes or simply rehearsals should be dedicated to preparing for competitions, and technique instructional classes in all disciplines should come first. You can’t stop training plus expect to compete! Serious ballet students need to have at least one on a daily basis technique class before spending time on preparing for competitions.
Why don’t you consider recitals?
Most studios have an end-of-the-year recital. Most the photographers house spend a great deal of class time rehearsing the recital flow. This takes away from the training that should be going on in class. In some cases half the year’s class time is spent repeating one recital dance. At more serious studios, several sessions per week will be devoted solely to the technical training were required to produce a better dancer. Try to determine how much “training” precious time there is compared to “rehearsal” time. It would be better if rehearsals for productions were in addition to training rather than instead of it all.
How many students should be in the class?
Ideally, between eight and 20. This depends on the size of the studio room in your home. Larger rooms may accommodate more dancers. In an state-of-the-art level 25 can sometimes be accommodated if the space is large enough (see above). An experienced teacher may be able to handle 20 individuals, whereas a novice or teenager may not be able to handle tolv!
What should my child be wearing?
Good grooving training requires that the teacher be able to see the entire body and what is going on. Tights and a leotard are the accepted uniform. Whenever T-shirts, sweatpants, or other loose clothing is worn, the very teacher may not be able to see that stomach sticking out or the fact that bent knee and make a correction. Hair can also be in terms of or prevent a student from seeing well enough to learn easy methods to turn, for example. Hair is usually worn in a bun to see the neck alignment and allow full use of the head. If a dojo allows students to wear whatever they want or have their hair affordable, this will limit what can be learned.